My practice unfolds through an investigation of form as a carrier of latent memory. Working between painting and silk, I develop a visual language rooted in organic abstraction, where fluid structures emerge, dissolve, and reconfigure across the surface. Rather than representing the visible world, I am concerned with what lies beneath perception—the subtle tensions between appearance and depth, presence and disappearance. The image becomes a site of transition, where forms oscillate between the familiar and the unrecognizable, evoking a sense of something both intimate and elusive.
The recurring motifs in my work suggest archetypal configurations without resolving into fixed symbols. They operate as fragments of a shared visual memory—echoes of natural, biological, or geological processes—yet remain open to individual interpretation.
Working across two mediums allows me to approach this inquiry from different temporal and material conditions. On canvas, the image stabilizes into a sustained presence. On silk, it enters movement—becoming part of lived experience, shifting with the body and its environment.
Through this dual practice, I explore how an image can exist simultaneously as object and process, surface and depth, stillness and flow.